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Ewelina's Crying

Ewelina's Crying

Director Anna Karasińska makes use of the specificity of theatre to explore what it means to be yourself in a world where identity is the product of various, often conflicting narratives.

The text blends fantasies with received opinions regarding actors and actresses, and the image they project in the media. The actors taking part in the production attempt to play themselves as imagined by someone else. Other people's visions and fantasies are brought to bear on the performers' true selves. Unable to rebut what is being said about them, they remain stuck in their arbitrary and incomplete representations. As a result of this multiplicity of roles it is hard to say who is actually saying the lines spoken on stage.

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